Wednesday, August 11, 2010
WriteOnCon Day 1
My first Con! Granted, it's an online writer's convention, but what the heck? I have plenty of time. My day job only takes up my time between the hours of 5 a.m. to 8 p.m. Wrong. At this point, travelling to a writer's convention is a pipe dream. So, the awesome folks at WriteOnCon developed what may be a first: A distant learning writer's convention.
My friend, writer Julie Klumb, showed me the link a few weeks ago. I signed up and happily waited. Gradually, I forgot all about it until she shot out a reminder. Good thing I registered early.
Yesterday was the first day. Forums opened for submissions for query's, WIPs, and finished products. All day long, the forum hosted events and discussion drawing in some awesome talent to share their industry wisdom. What did I learn?
1. Nothing new. Huh? What? Let me elaborate.
2. All the information you need is out there to be a successful writer, but you have to listen to the advice and be able to apply it. That's two very different, and difficult, things.
3. You need a professional-grade query letter. It should be simple: Present the story, introduce yourself. Be bold, be brief, then be gone. Don't overstay your welcome. The query letter is about your story. Save the extraneous life story stuff and how great you are for an actual phone conversation. If you get one. Jump over to Twitter and take a look at agent comments at #queryfail. Did it make you laugh? I did. What's funnier is I've made a good chunk of those mistakes.
4. Be professional. For some folks, this is hard. This is an industry practically invented the 'don't-call-us-we'll-call-you' tactic. Last night, literary agent Mark McVeigh gave a fabulous presentation, and at one point lamented about the poor behavior of some aspiring writers. I thought the best point he made was about following simple instructions.
Mark receives around sixty queries a day. Attachments take about a minute each to open and process. If each query and included excerpt was attached via word document, that's an additional hour a day just spent opening documents. Multiply that over a month and you have a lot of lost productivity. Follow instructions listed on the site, it's the professional thing to do.
5. Mark also said, 'know the agent you're querying.' I'm paraphrasing badly, sorry. His recommendation, if the agent your querying recently sold a book in a genre similar to yours, say so. I found that quite bold. Makes sense, but still. I think it goes back to the 'know the agent' statement. If you do your homework, you'll know when you can get away with a bold move, and when you can't.
6. Online presence, do or don't. The panel didn't really seem to care one way or another. I think this goes back to the most important mission of an aspiring writer: First, learn to write. If you're spending hours and hours weekly on your blog, you're probably taking away hours you could be doing research and writing for your story.
7. Critiques. Standards vary wildly and you need to pick and choose what to use, and what to discard. I'm used to the monthly line-by-line trashing I get over at Kelley Armstrong's Online Writing Group (OWG) Forums. For WriteOnCon, I'm noticing a paragraph or two of, 'I really liked this.' To someones credit, they flat out told me to scrap my first paragraph. I think they're right. If you want to write successfully, find a writing group that will routinely tear your stuff apart. You'll be better for it.
To me this is all common sense, and the kind of info pushed by publishing professional in every blog, interview, social media, and convention (all one of them) I've come across. If I had to pick something to impress upon everyone?
Write something great.
Huge thanks to the folks at WriteOnCon for putting on a fabulous platform for those of us who might never have to opportunity to travel to a Con.
My friend, writer Julie Klumb, showed me the link a few weeks ago. I signed up and happily waited. Gradually, I forgot all about it until she shot out a reminder. Good thing I registered early.
Yesterday was the first day. Forums opened for submissions for query's, WIPs, and finished products. All day long, the forum hosted events and discussion drawing in some awesome talent to share their industry wisdom. What did I learn?
1. Nothing new. Huh? What? Let me elaborate.
2. All the information you need is out there to be a successful writer, but you have to listen to the advice and be able to apply it. That's two very different, and difficult, things.
3. You need a professional-grade query letter. It should be simple: Present the story, introduce yourself. Be bold, be brief, then be gone. Don't overstay your welcome. The query letter is about your story. Save the extraneous life story stuff and how great you are for an actual phone conversation. If you get one. Jump over to Twitter and take a look at agent comments at #queryfail. Did it make you laugh? I did. What's funnier is I've made a good chunk of those mistakes.
4. Be professional. For some folks, this is hard. This is an industry practically invented the 'don't-call-us-we'll-call-you' tactic. Last night, literary agent Mark McVeigh gave a fabulous presentation, and at one point lamented about the poor behavior of some aspiring writers. I thought the best point he made was about following simple instructions.
Mark receives around sixty queries a day. Attachments take about a minute each to open and process. If each query and included excerpt was attached via word document, that's an additional hour a day just spent opening documents. Multiply that over a month and you have a lot of lost productivity. Follow instructions listed on the site, it's the professional thing to do.
5. Mark also said, 'know the agent you're querying.' I'm paraphrasing badly, sorry. His recommendation, if the agent your querying recently sold a book in a genre similar to yours, say so. I found that quite bold. Makes sense, but still. I think it goes back to the 'know the agent' statement. If you do your homework, you'll know when you can get away with a bold move, and when you can't.
6. Online presence, do or don't. The panel didn't really seem to care one way or another. I think this goes back to the most important mission of an aspiring writer: First, learn to write. If you're spending hours and hours weekly on your blog, you're probably taking away hours you could be doing research and writing for your story.
7. Critiques. Standards vary wildly and you need to pick and choose what to use, and what to discard. I'm used to the monthly line-by-line trashing I get over at Kelley Armstrong's Online Writing Group (OWG) Forums. For WriteOnCon, I'm noticing a paragraph or two of, 'I really liked this.' To someones credit, they flat out told me to scrap my first paragraph. I think they're right. If you want to write successfully, find a writing group that will routinely tear your stuff apart. You'll be better for it.
To me this is all common sense, and the kind of info pushed by publishing professional in every blog, interview, social media, and convention (all one of them) I've come across. If I had to pick something to impress upon everyone?
Write something great.
Huge thanks to the folks at WriteOnCon for putting on a fabulous platform for those of us who might never have to opportunity to travel to a Con.
Wednesday, July 28, 2010
Frisco Soldier Gets Home Back
It's being reported today in the Dallas Morning News that Captain Michael Clauer is getting his home back. As is the usual nature of litigation and negotiation, no terms are disclosed. Courtesy the DMN:
An agreement that enables them to keep the house was reached this week
during a court-ordered settlement conference.
A gag order prevents those involved from sharing details. But the
bottom line is that the Clauers once again own their home in the Heritage Lakes
subdivision.
“The family is very pleased that this matter has been resolved,” said
their attorney."
Friday, July 23, 2010
To Blog, or not to Blog?
Should unpublished writers blog?
That is the question. This week, a couple of influential bloggers, agent Mary Kole and writer Jodi Meadows, both weighed in on relatively opposite sides of the discussion. (I say relatively because since posting, their opinions are shown to be much closer than originally implied). After reading friend PJ Schnyder's post, I decided my own opinion was necessary. The
I say go for it. Whatever you want. Especially if you are a new and unpublished writer. Go wild.
Why? Because you ARE an unpublished writer. Use your blog and other social media networks to enjoy yourself and test your creative limits. Blogging daily or weekly encourages the development of good writing habits such as, say, the ability to meet a deadline (ignore the fact I failed to post last week) or
If you write something down, you're more likely to remember it later. If you see another writer or publishing professional put out some interesting factoid or advice, analyze it and blog about it. Do that and you're more likely to internalize it than if you simply saved a link somewhere in your bottomless collection of bookmarks.
Your blog doesn't have to be great. Shoot, it doesn't have to be good (although it would help). Hell, it doesn't even have to be amazingly average (think, blog devoted to cats, blech). It just needs to make you happy from week to week as you get out there and share your ideas. Look at it this way: It can only have a positive effect on your other writing efforts.
Now, on the flip side. If you're not enjoying it, if every day or week or month you look at the keyboard and say, "Damn, I have to do the freaking blog," then you should reconsider why your doing it in the first place. If it's not fun or enjoyable, then it's probably not worth doing. Although I usually say, 'if you can't do it right...', but that's a different discussion.
I also don't recommend 'bitch' blogs where you aim the rhetorical flamethrower at current or future employers, agents or corporate entities. If you're going to burn down the bridge, at least wait until your standing on it with a contract in hand.
Chances are, your blog and Facebook account are not going to help you get an agent and get published. Yes, there are exceptions, rare ones, but in the end you have to actually write material that is extremely interesting to achieve your breakthrough moment. It is at that point that you will be forced to reevaluate your position as you attempt to walk the fine line between image, publicity, and marketing. After all, when you're a successful writer, the big boys will have much $$$ invested. Don't be surprised if they not-so-subtly request you to make a change, or ten.
Make it big, delete your old blog, pretend it never happened, then hire a marketing firm and publicist to come up with the interesting material for you.
Again, not there yet? Go wild.
That is the question. This week, a couple of influential bloggers, agent Mary Kole and writer Jodi Meadows, both weighed in on relatively opposite sides of the discussion. (I say relatively because since posting, their opinions are shown to be much closer than originally implied). After reading friend PJ Schnyder's post, I decided my own opinion was necessary. The
I say go for it. Whatever you want. Especially if you are a new and unpublished writer. Go wild.
Why? Because you ARE an unpublished writer. Use your blog and other social media networks to enjoy yourself and test your creative limits. Blogging daily or weekly encourages the development of good writing habits such as, say, the ability to meet a deadline (ignore the fact I failed to post last week) or
If you write something down, you're more likely to remember it later. If you see another writer or publishing professional put out some interesting factoid or advice, analyze it and blog about it. Do that and you're more likely to internalize it than if you simply saved a link somewhere in your bottomless collection of bookmarks.
Your blog doesn't have to be great. Shoot, it doesn't have to be good (although it would help). Hell, it doesn't even have to be amazingly average (think, blog devoted to cats, blech). It just needs to make you happy from week to week as you get out there and share your ideas. Look at it this way: It can only have a positive effect on your other writing efforts.
Now, on the flip side. If you're not enjoying it, if every day or week or month you look at the keyboard and say, "Damn, I have to do the freaking blog," then you should reconsider why your doing it in the first place. If it's not fun or enjoyable, then it's probably not worth doing. Although I usually say, 'if you can't do it right...', but that's a different discussion.
I also don't recommend 'bitch' blogs where you aim the rhetorical flamethrower at current or future employers, agents or corporate entities. If you're going to burn down the bridge, at least wait until your standing on it with a contract in hand.
Chances are, your blog and Facebook account are not going to help you get an agent and get published. Yes, there are exceptions, rare ones, but in the end you have to actually write material that is extremely interesting to achieve your breakthrough moment. It is at that point that you will be forced to reevaluate your position as you attempt to walk the fine line between image, publicity, and marketing. After all, when you're a successful writer, the big boys will have much $$$ invested. Don't be surprised if they not-so-subtly request you to make a change, or ten.
Make it big, delete your old blog, pretend it never happened, then hire a marketing firm and publicist to come up with the interesting material for you.
Again, not there yet? Go wild.
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